The Godfather is one of godfather the godfather few films in subs which I personally did not find any significant weakness even after many viewings.
The exceptional portrayals of Don Vito and subs Michael Corleone respectively by Marlon Brando and Al Pacino, the performances by Robert Duvall, James Caan and Diane Keaton as Tom Hagen, Santino Corleone and Kay Adams, the ruthless Virgil Sollozzo played by Al Lettieri - as well.
The Godfather certainly doesn't need my godfather recommendation.
I purposely decided not to spoil much about the plot because I believe that the film is perfectly enjoyed godfather without knowing anything in advance, and - believe it or not - there are still quite a lot of people who have never subs seen this movie.From the direction, to the acting, to the storyline, to the score, The Godfather has the word classic written all over, and it really is not much of a surprise that it is now considered by many one of the top five movies godfather of all.Besides, to outline such complicated characters and such an emotionally intense story in a short review like this one would be inadmissible.The movie makes it possible for the viewers to identify with different characters and to observe how their personality and story fits in, and it does it much more effectively than many bloated multiple-storyline movies that came out in the last few years.The wedding scene gives a perfect setting of where and how the Don's power extends; from the regular worker in a neighborhood, to the immensely popular singer, to the friends in politics and right to the ruthless killer, Don Corleone has links to people ready.Rarely a movie has defined or re-defined a genre as much as this one did for "gangster movies but its influence goes well beyond that.The Mafia is certainly the main focus the story revolves around (despite the fact that the word is never mentioned but although the movie never tries to forcedly insert separate subjects it contains an amount of psychological and social subtexts that cannot be overlooked.But to say that The Godfather is simply "influential" is to diminish its true qualities, and so is to describe it simply as "a movie about gangsters".
Many believe that the character of Johnny Fontane, for instance, was based on Frank Sinatra's real life, and many of the other characters were modeled after real people.
The entire cast contributes greatly to the success of the film: Lee Strasberg, a earth fascinating mixture of lust and ruthlessness;.
The Italian-American old mobster a-la Don Vito Corleone has become one of the most established figures in the public's imagination.
Since the people he kills seem to deserve it, Vito comes off better than Michael does, and it was wise of Coppola to shuffle the two stories together despite lengthy flashbacks driver and the disturbance of continuity.Gazzo, unforgettable as the troubled gray-haired easyshare informer; Gastone Moschin, excellent as the blackmailer in white suit; John Cazale, marvelously timid as the vague, confused, and hesitant Fredo; Diane Keaton, clearly irrational as the long-suffering wife Kay; Talia Shire, too extravagant as the lousy mother; Troy.The refusal of Don Corleone to cooperate with Sollozzo, and a weakness immediately spotted by the latter, will ignite a war that will cost many lives, and that will see Michael Corleone, Vito's younger son and the one who never wanted to take part.The film is universally considered one of the best of all time, and the performances by Pacino and Brando alone is the stuff of legends.He is cold and ruthless, with a whole contrast from the idealistic innocent war hero we initially met at the beginning of the first film.As good as the direction and the story are, it would be unfair not to consider the major role that the actors' performances had in the cinematic triumph that was The Godfather.The Godfather's influence has been so big through the years that elements of it can be found in virtually every "organized crime film" nowadays; almost every comedy featuring a gangster in the last few years has spoofed something in The Godfather.De Niro's rise, from an orphan child by a family feud back in Italy to a hood in New York and his position as a respected Don, provides a welcome break from Pacino's relentless attitude.There are multiple scenes that manage to create an incredible tension, various twists, and although like any driver other masterpiece The Godfather can be watched knowing the whole story beforehand and still be a phenomenal experience, I believe it is always a pleasure to see.Considerations on how the social environments changes us, update on how moral values appear different from different point of views, on how violence can destroy a human soul, and on how power can corrupt an individual are deeply blended into a story that stays practically always.We are not watching a central character and a bunch of incomplete figures that revolve around him: although Michael Corleone is the character that gets the most screen time, everybody is the center game of this world his own way.To this day, Don Corleone was able italiano to keep things together while maintaining his economic and political power, but things will brutally change when a powerful drug dealer name Sollozzo enters the picture.The Don believes that the new trend in the business, narcotics, is too dangerous and the families dealing with it would eventually end up self-destroying; while his family had deals in alcohol and gambling for a long time, part of the Government and law enforcement.
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